Settling In

It is taking time to settle into both my new home and new job. About two weeks into my tenure as an AmeriCorps Program Director a co-worker who is about to retire leaned out of the office she was emptying and asked if I would like a big map of Kentucky, and because I still have a partial office wall to fill, I said yes.


She delivered it a couple days ago, with a palm full of the lethal looking, unique mounting devices for it. But she didn’t just leave it. She wanted to talk about it. She explained that the map’s surface was writable, like a white board. She told me the best marker colors to use so the surface would stay clean. Several times she mentioned the name of the staff person who acquired the map in the first place, and with what sounded like affection tinged with sadness that touched me because I have been feeling affection and love tinged with sadness, sometimes despair, for eighteen months straight and wonder if I will ever stop. Our apparently similar feelings about loss, in this case of a several decade’s long job, made me connect with this woman and wonder: Did her coworker retire too? Did she work with him for a long time? Does she miss working with him?

This interesting encounter started in the hallway, as I returned from one of many deliberately long walks to  get away from my desk and computer. I am used to writing alone and in silence, spent the whole summer and fall of 2017 writing about late in life professional and personal losses, some of them profound, on blessedly quiet mornings in my old apartment, in public and private libraries in the afternoons, on weekends in coffee shops and, during the 2017 holidays, in a lovely dining room of a home I was helping to house-sit, so I am okay with solitude. But now that I am housed in an academic institution again and busy preparing to launch a new program I am eager for contact. First, however, I have to create many original forms and documents. This requires sitting in front of two computer screens that are not particularly companionable, and so loneliness is what I was escaping from when I saw that woman and she asked if I still wanted the map.

I almost said No, and I don’t know why. Maybe because she gave me the option. Maybe because I have a piece of Owen’s artwork taking up part of that wall, and it meant moving it and moving Owen’s things has left me drained and depressed and feeling bereft of a future, despite my new home and new job. Maybe that day I was afraid that map would be a daily reminder of his loss and the others that led me to a new life in Kentucky. Whatever it was I stifled it, and was glad I did, and for the woman’s company and the memories she shared over the map she is now entrusting to my care. Somehow, seeing the shape of state and the many roads that connect the hundreds of small towns to the much fewer large cities that comprise Kentucky, some of them places I visited with or lived in with Owen, makes me feel more grounded and not nearly so alone.



Upward Bound at EKU

Reminder on stairs in art building, EKU campus, Richmond KY

I had the pleasure of connecting with Eastern Kentucky University’s Upward Bound program in June and July 2017, and worked with many amazing, promising young people as a result and on several innovative art projects!

Our first project: Create a sign like those that the homeless carry, but put on it something about oneself that viewers couldn’t possibly know by simply seeing you. This yielded many touching and surprising confessions.

What You Don’t Know Is…signs by Upward Bound EKU students, summer 2017

Project 2: Create an artist book out of paper bags, and begin cover art on it. During this project I discovered how many creative types I had!

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Project 3: Thanks to a PFE sponsored artist workshop I attended as a VISTA Leader, I shared with enthusiastic Upward Bound kidz the construction of miniature “crankies” — storytelling devices used during music and vocal performances to better engage audiences.

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Project 4: Tagging, stencil cutting and spraying! Upward Bound @EKU students learned about the style of graffiti alphabets, how to brainstorm and create their own tag, the fundamentals of stencil cutting (which is more complicated that one might guess!), then sprayed their creations. A lot of these kidz already had impressive spraying skillz!

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O’s Cover Art

Late in April, the facilitator of my bereavement group asked if I had any artwork of Owen’s — or any artwork we made together — that might suit as cover art for a book she co-edited and is about to be published. And I immediately thought of this stained glass mosaic Owen created in 2015, and finished in early 2016.


Owen’s Omega RedWolf Flying, 2016

This, and many additional stained glass mosaics were part of an economic empowerment project I created at the homeless shelter where Owen and I met in 2013. Dozens of artistic shelter and Art In The Annex guests engaged in the project, and were willing to have their mosaics shown and sold (with a percentage of the proceeds going to the artists) at an area gallery, then a special sale space called AIM (Art In The Margins) in the church across the street from the homeless shelter.

Here are images of Omega RedWolf Flying in progress, including two of Owen working on it:

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It was so painful to shut down that space in the fall of 2016, and collect Owen’s artworks from it as well as the Annex at the shelter, and bring them to Berea. It was also painful to read the title of Dr. Moore’s book: The Suicide Funeral or Memorial Service.  But there is also something incredibly redemptive and hopeful in that image of a wolf flying through a blue portal, and in knowing Owen, through this artwork, will live on and hopefully be of help to others impacted by suicide.


Book cover, with Owen’s Omega RedWolf Flying.

Healing/Empowerment Work With Military Women — Athena’s Sisters

me_Liz@VOICExposmallI am now connected to and art-working directly with military women and women vets via a wonderful organization: Athena’s Sisters — thanks to this engaged and empowered woman vet who reached out to me last fall, who is working hard to start and sustain an Athena’s Sisters chapter in Evansville, Indiana.

From their website: “Athena’s Sisters is an organization for all military women to use revolutionary expressions to grow in dignity and honor. Our members empower themselves through a sisterhood created by mind, body, and heart healing. Our artistic advocacy is building a community of courage.”

We met at the 5/13/17 VOICE Expo, held at the Evansville Armory, to promote the new chapter of Athena’s Sisters and to promote our summer art project: stained glass mosaics, similar to this one, created by Owen and about to be published on the cover of a book that helps educate those who help the suicide bereaved.  Owen came from a military family, and although he did not serve he admired those who did. So I know he was proud to be part of this event.


Owen’s Omega RedWolf Flying, 2016

VOICE (Veteran Organizations Involved in Community Education) acts as a sponsor and clearing house for events that help veterans and their families, as well as engage them within the community.




My work with LexEngage

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Through a fortuitous meeting with staff at the Lexington Living Art and Science Center, I am now connected to University of Kentucky’s unique LexEngage program.

LEXengaged is a first-year residential program on UK’s north campus, close to downtown Lexington, in which civic engagement is applied to students’ day-to-day life. Through course readings, discussions, guest speakers, and off-campus tours, participants gain a greater understanding of the larger community, focusing on engagement, service learning and social justice.

My job as a teaching artist is to help UK students interact with students at William Wells Brown via unique visual art experiences that focus on the topic of homelessness — something near and dear to my heart.  Our first project was “Who I Am” in which students built trust and understanding via tracing each others’ bodies and filing them in with name designs that expressed who they are using color, line, shape, placement and size — basic design concepts.

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Our second project on February 15, 2017, was based on the Cardboard Stories collected by Orlando Florida’s ReThinking Homelessness project.  UK and William Wells Brown students made a list of words associated with the homeless, then discussed how those things — dirtiness, torn old clothing, etc. — are just superficial signs and are, in many ways, the way we look at times and for reasons other than homelessness. This pressed home the fact that the homeless are indeed “just like us”.

Then students brainstormed a list of things about themselves that no one would know by just looking at them.  They picked a few and transferred them to cardboard, and we hung them up and talked about the funny ones, the sad ones, and especially the unexpected ones.

Marching, Marching

In the last week my art and creative activist self marched twice.

MLK Day of Service, AmeriCorps VISTA:

VISTA Volunteers and AmeriCorps members participate in two National Days of Service, and MLK Day is one of them. We began by joining Berea College and the Berea community at Union Church for several speeches and inspirational music.  Then we marched down Chestnut Street.

In the afternoon, my fellow VISTA Leader organized a letter writing campaign for women at the New Opportunity School for Women and seniors in local high schools, with the help of KyCC VISTAs from northern KY.

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I also joined the historic Women’s March in Lexington, KY on 1/21/16. I really wanted to be in the original, in D.C., but the time and cost became prohibitive. Lexington did not disappoint though!

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Highlights: Getting there early and walking to Cheapside Bar in order to sit the same booth I sat in with O in August.  On my way I saw a rough looking character setting up to play street music. He had several musical instruments: guitar, harmonica, something on his foot that looked like a little cymbal but I didn’t want to stare.  I must have been oozing activism because he smiled and asked “goin’ to the march?”

Cheapside was almost empty at first, but by the time I was scarfing my salmon it was full of sports fans bleeding blue, and women wearing glowing pink pussy hats. The waitress called me “lady bug” — an endearment I haven’t heard since living near Owensboro.

By the time I got back to the square in front of the Fayette Circuit Court a vast crowd was gathering. I was so inspired by the mix, a beautiful balance of and young/old, single/couples, men/women, able/disabled. Everyone was waving clever, pointed, vicious, hilarious signs – except me, it seemed. So I found a group with stacks of Planned Parenthood signs and was gifted a big red one with a message to the current administration about keeping their hands off my uterus.

The speaker line up was impressive, but the talking went on too long.  They almost lost me and most of the crowd after #6, when I milled around a bit and found a couple of fellow co-workers as well as my old friend April, who is recovering from a loss similar to mine, of O.

But I decided to walk alone. A great surge of us finally started moving to the march route, right in the middle of downtown. While walking we chanted, we sang. Our numbers were so many we could see streams of ourselves moving in opposite directions at the end of the long side streets. Later I heard we had over 5,000 marchers.

So amazing, so much fun and felt so good I couldn’t believe it took me 58 years to march political.


Success of art at UCS Jazz Shoes Blues Fundraiser

Glass artist David Powell, artist and AIM volunteer Owen Chaney, me and former UCS intern and social work candidate Charlotte Critchfield.

At Jazz, Shoes and Blues: Glass artist David Powell, artist and AIM volunteer Owen Chaney, me and former UCS intern and social work candidate Charlotte Critchfield.

All our hard work paid off (literally!) at United Caring Shelter’s Jazz Shoes and Blues fundraiser on April 2, 2016.  Pictured here are artists and volunteers, some of them homeless shelter guests, who were instrumental in the event as well as the design, creation and sales of art created at Art In The Annex and exhibited and sold at Art In The Margins the Zion Center For Spiritual Development and Healing.

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These folks and UCS also helped me meet my Pollination Project Impact Grant match, thereby helping me continue the life changing (for all of us!) art experiences I provide at UCS for the homeless, and in nearby Henderson, KY with at-risk youth and the elderly.  I can’t thank you enough!

Art In The Margins @UCS, December 11

Participants in this unique art program at United Caring Day Shelter continue to produce stained glass mosaics, to be displayed for sale at Combs Gift Shoppe in Newburgh, IN.

Highlights of this week at Art In The Margins: the design and beginning painting stages of several Holiday Windows, completed by kids in the Henderson KY schools and displayed in Henderson KY, courtesy of the Downtown Henderson Partnership.

And O and other shelter guests assisted in creating “hobo” bird feeders for the many sparrows that hang out in the smoking yard, constructed of recycled and additional cheap household items and hung in the now empty-of-picnic-tables shed.  And through the winter months, AIM Saturday afternoons will include homemade (by me and volunteer O) soup!

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Art In The Margins @UCS

Due to a mainstream gallery/exhibition space that just didn’t pan out as planned, Art In The Margins artworks are moving back into United Caring Shelter’s Annex…and the space is looking even more artistic, thanks to shelter/Annex volunteer O and his exuberant assistance!   Also big, big thanks to him for connecting The Art Bag Lady with Combs Landscaping and Garden Center in Newburgh, IN. They are taking on our beautiful mosaic stained glass and embellished chairs, for sale through the holiday season.  Photo updates on Comb’s installations soon!

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