Upward Bound at EKU

Reminder on stairs in art building, EKU campus, Richmond KY

I had the pleasure of connecting with Eastern Kentucky University’s Upward Bound program in June and July 2017, and worked with many amazing, promising young people as a result and on several innovative art projects!

Our first project: Create a sign like those that the homeless carry, but put on it something about oneself that viewers couldn’t possibly know by simply seeing you. This yielded many touching and surprising confessions.

What You Don’t Know Is…signs by Upward Bound EKU students, summer 2017

Project 2: Create an artist book out of paper bags, and begin cover art on it. During this project I discovered how many creative types I had!

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Project 3: Thanks to a PFE sponsored artist workshop I attended as a VISTA Leader, I shared with enthusiastic Upward Bound kidz the construction of miniature “crankies” — storytelling devices used during music and vocal performances to better engage audiences.

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Project 4: Tagging, stencil cutting and spraying! Upward Bound @EKU students learned about the style of graffiti alphabets, how to brainstorm and create their own tag, the fundamentals of stencil cutting (which is more complicated that one might guess!), then sprayed their creations. A lot of these kidz already had impressive spraying skillz!

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O’s Cover Art

Late in April, the facilitator of my bereavement group asked if I had any artwork of Owen’s — or any artwork we made together — that might suit as cover art for a book she co-edited and is about to be published. And I immediately thought of this stained glass mosaic Owen created in 2015, and finished in early 2016.

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Owen’s Omega RedWolf Flying, 2016

This, and many additional stained glass mosaics were part of an economic empowerment project I created at the homeless shelter where Owen and I met in 2013. Dozens of artistic shelter and Art In The Annex guests engaged in the project, and were willing to have their mosaics shown and sold (with a percentage of the proceeds going to the artists) at an area gallery, then a special sale space called AIM (Art In The Margins) in the church across the street from the homeless shelter.

Here are images of Omega RedWolf Flying in progress, including two of Owen working on it:

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It was so painful to shut down that space in the fall of 2016, and collect Owen’s artworks from it as well as the Annex at the shelter, and bring them to Berea. It was also painful to read the title of Dr. Moore’s book: The Suicide Funeral or Memorial Service.  But there is also something incredibly redemptive and hopeful in that image of a wolf flying through a blue portal, and in knowing Owen, through this artwork, will live on and hopefully be of help to others impacted by suicide.

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Book cover, with Owen’s Omega RedWolf Flying.

Healing/Empowerment Work With Military Women — Athena’s Sisters

me_Liz@VOICExposmallI am now connected to and art-working directly with military women and women vets via a wonderful organization: Athena’s Sisters — thanks to this engaged and empowered woman vet who reached out to me last fall, who is working hard to start and sustain an Athena’s Sisters chapter in Evansville, Indiana.

From their website: “Athena’s Sisters is an organization for all military women to use revolutionary expressions to grow in dignity and honor. Our members empower themselves through a sisterhood created by mind, body, and heart healing. Our artistic advocacy is building a community of courage.”

We met at the 5/13/17 VOICE Expo, held at the Evansville Armory, to promote the new chapter of Athena’s Sisters and to promote our summer art project: stained glass mosaics, similar to this one, created by Owen and about to be published on the cover of a book that helps educate those who help the suicide bereaved.  Owen came from a military family, and although he did not serve he admired those who did. So I know he was proud to be part of this event.

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Owen’s Omega RedWolf Flying, 2016

VOICE (Veteran Organizations Involved in Community Education) acts as a sponsor and clearing house for events that help veterans and their families, as well as engage them within the community.

 

 

 

“Crankies” with LexEngaged at William Wells Brown, April 12, 2017

I recently attended a Partners For Education sponsored workshop, led by two area teaching artists, on how to make a “crankie”.

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The miniature “crankie” I made at the March workshop in London, KY.

A crankie is a visual storytelling device, typically used to enhance music, spoken word, or storytelling.  The story is visually told on a scroll of paper or cloth, frame by frame, and a performer turns a handle to advance it (in this case they are lollipop sticks). Some crankies are large and elaborate, with a crank to advance the scroll. Thus the name “crankie”.

The workshop was so informative, so much fun — and so much a part of my art impetus towards narrative — that I decided to share this activity with the LexEngaged students from the University of Kentucky, and the kidz at William Wells Brown in Lexington on Wednesday, April 12, 2017.

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LexEngaged and WWB Artist Books

On March 1, I helped William Wells Brown Elementary and LexEngaged students from UK create handmade books, and illustrate them.  The original topic and focus was an upcoming essay contest about the contributions of African American jockeys to Kentucky horse racing. But some of the WWB kids wanted to illustrate and tell their own stories instead. The end result: Quite a mix of images and text!

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It is a little known fact that WWB Elementary sits on the original Kentucky Racing Association property and race track once located at 5th and Race Streets, and that the local racing industry was once dominated by successful and talented African American jockeys. As WWB students talked about and created horse racing images, it was clear that they were very proud of this heritage.

 

 

 

New Year, New Artworks

I am proud to announce that two of my artworks, one the first in a series about O, will be part of a long term traveling exhibit sponsored by the Kentucky Arts Council, entitled The Illustrated Word. The exhibit will travel to libraries across Kentucky from February 2017 through 2018, with a special exhibit in Lexington at Kentucky Crafted: The Market, April 21-23, 2017. I am thrilled that O will go out into the world in this way, giving viewers a chance to experience the incredible person he was and the impact he had and continues to have on me and my creative life.

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Ode to O: Inordinate

Ode to O is one of a six panel series that I began with a matrix of dictionary pages collaged during the time we shared a studio space in Haynie’s Corner, Evansville, in 2015. My initial intent was to make them a single, multi-paneled piece with a tree form visually tying the panels together. However, when we had to move out of the studio due to irreconcilable differences with the gallery/studio owner (which included insistence on collecting commission on artwork created by the homeless) the panels languished. I left them stacked in a corner of a guest room in Indiana when I left for Berea, KY in May, and didn’t work on them again until the day before O took his life.

By November I was finally able to pick up where I left off in August, rendering words from the dictionary pages that reminded me of O — and with his tattoo ink.  As I worked it soon became clear that in both form and content I was mimicking an older and much smaller artwork, entitled Obsessions #1 that is also about a man I loved and lost that will  be exhibited along with Ode to O in  The Illustrated Word.

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Obsessions #1

The Lone Tree Planting, 11/12/16

The Owen quote

The Owen quote

On November 12, 2016, friends and loved ones had a small memorial ceremony for Owen Chaney in downtown Evansville, Indiana.  This world lost Owen on August 22, 2016, when he chose to take his life in Berea, Kentucky after a long battle with addiction, mental illness, and three years of chronic homelessness.

Everyone who knows me knows I loved Owen, and I join many who knew Owen to be a loving, kind, generous, talented person even while plagued by the stresses and illnesses of his adult life. Or maybe in spite of them.

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In memory of Owen we planted a sycamore tree on the lawn of the Zion Church opposite the homeless shelter where Owen and I met and made art between 2013 and just a few short months prior to his untimely death. Owen loved nature and he loved sycamores, which he called “ghost trees” in keeping with Native American lore, and in reference to the color of their trunks and limbs. They literally glow in the dark on moonlit winter nights. Sycamores are also called “trees of life” because they have tremendous longevity, up to 600 years, and symbolize intuition, shelter, nurturing…among other things.  They also grow very fast and, to me, symbolize the surviving and thriving that Owen was never able to accomplish in this life.

A pack of Marlboros, the smokes Owen preferred, will show up at the base of The Lone Tree now and then, so those of you who are desperate for one can help yourself. I often witnessed Owen giving away his last cigarette to someone he thought needed it more than he. You are also welcome to stop by and put a memento on the sycamore, which will be nurtured by members of the Zion congregation. Many thanks to them, Pastor Kim, and the generous donations of Owen’s friends in attendance for making the tree planting possible.

Mountain Day 2016, Berea College

On 10/10/16 I participated in my first Mountain Day at Berea College. See more about the history of Mountain Day here.

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My Mountain Day began before dawn with a traditional mile-long hike up to the East Pinnacle at Indian Fort, an historic and sacred Native American site. I would estimate that close to a hundred other individuals — including an entire choir — joined in. They broke into song at sunrise. It was quite a moment.

I took my time coming down in broad daylight, however — and needed to shower and change (because of the unusually warm for eastern Kentucky weather) before returning to help man our AmeriCorps VISTA and Partners For Education/PartnerCorps table. We enticed Mountain Day attendees to learn more about AmeriCorps and VISTA by offering a raffle for VISTA Jeffrey Carpenter’s artworks — and an art activity that involved making cards with rubbings of fallen leaves. I “trained” several AmeriCorps VISTAs in creating these rubbings, and they in turn instructed table visitors in making their take-away card.

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It was a beautiful, productive and instructional day. My most valuable lesson: what an amazing community Berea College is, evidenced by the enthusiastic participation of so many of its students (more than I ever witnessed at any other higher ed institution during my sixteen years of formally teaching art) — and its commitment to the arts, evidenced by the several musical performances — and a drum circle! — at Mountain Day 2016.

 

Visiting VISTAS, Cumberland, KY, October 1, 2016

Alexia  Ault showing me sorghum processing

Alexia Ault showing me sorghum processing

Many thanks to Partners For Education/Berea College Higher Ground VISTAS for inviting me to the Kingdom Come Swappin’ Meetin’/Black Bear Festival on October 1 to watch sorghum processing — and attend a lively and hilarious performance of Life Is A Vapor at The Godbey Appalachian Center at Southeast KY Community and Technical College.

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I missed the milling part, but no big deal…it was done by machine instead of the usual mule! Alexia, our Higher Ground VISTA showed me how the sorghum is cooked and reduced, and the green gunk and foam at the top of the boiling/simmering vat skimmed off. Eventually a smoky/sweet tasting molasses is produced — which I got to taste with a “dipper”, a piece of cane hacked off with a knife by Applachian Center Director Robert Gipe.

I also got a tour of the festival as well as of the fine arts building — which is graced by this beautiful text based and storytelling themed mural. The second, figurative mural was created by many hands, each taking charge of a tile, which gives the overall piece an authenticity and energy not found in more “technically perfect” murals. I loved them both.

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Then, at 6:30 p.m., I attended a Higher Ground performance of “Life Is A Vapor”. According to VISTAS Alexia Ault and Cassidy Wright, Higher Ground productions are written by the performers themselves, and based on real people known by the cast and community — so they are really about life stories. And by the way, I didn’t think I was up to seeing a play about a funeral — but it was hilarious and touching.

 

Higher Ground about to perform Life Is A Vapor

Higher Ground about to perform Life Is A Vapor

Life Is A Vapor poster designed by Cassidy Wright

Life Is A Vapor poster designed by Cassidy Wright

9/11 Day of Service, Part 2

Here are AmeriCorps/PartnerCorps VISTAS I support, gathering together to prepare rain barrels for community painting at the Celebrate The Harvest Festival in Berea, KY.

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We prepared several barrels for painting, added base coats to several more that had already been primed and applied line art to them so the community can have a fun, easy time finishing them with us on 9/10/16 at Sustainable Berea.